🏠 Early Life & Education
Full Name: Katherine Matilda “Tilda” Swinton
Born: November 5, 1960 – London, England
Swinton hails from an ancient Scottish family with aristocratic lineage. A classmate of Princess Diana at West Heath Girls’ School, she studied Social and Political Sciences at Cambridge before beginning a career in theater with the Royal Shakespeare Company and Edinburgh’s Traverse Theatre.
🎥 Early Career & Art House Roots (1986–2004)
- Debuted in Derek Jarman’s Caravaggio (1986); collaborated with Jarman for nearly a decade
- Won the Volpi Cup at Venice for Edward II (1991)
- Starred in Orlando (1992), playing a gender-shifting lead
- Continued with experimental cinema: Female Perversions, The Deep End, Adaptation, Vanilla Sky
🏆 Hollywood Recognition (2005–2015)
- Blockbuster success as the White Witch in The Chronicles of Narnia trilogy
- Won the Academy Award and BAFTA for Best Supporting Actress in Michael Clayton (2007)
- Memorable roles in: Burn After Reading, Benjamin Button, I Am Love, We Need to Talk About Kevin, Only Lovers Left Alive, Snowpiercer, and The Grand Budapest Hotel
🎭 Auteur Collaborations & Marvel (2016–Present)
- Joined the MCU as the Ancient One in Doctor Strange and Multiverse of Madness
- Starred in The Eternal Daughter (2022), The Room Next Door (2024, Almodóvar)
- Produced apocalyptic musical The End (2024)
- Played an eccentric art manager in Problemista (2023) with Julio Torres
🏆 Awards & Cultural Impact
- Oscar, BAFTA, Volpi Cup, and Golden Bear Lifetime Achievement (2025)
- Named by The New York Times among the 25 greatest actors of the 21st century (2020)
- Celebrated by MoMA, BFI, and Berlin International Film Festival
🌱 Personal Life & Advocacy
- Former partner: playwright John Byrne – two children
- Current partner: painter Sandro Kopp; lives in Nairn, Scotland
- Identifies as queer; vocal advocate for climate, justice, and LGBTQ+ rights
- Created 1995 art piece “The Maybe” in response to AIDS epidemic
📌 Legacy
Swinton is an icon of modern cinema — praised for her commitment to boundary-pushing art, philosophical approach to acting, and ability to morph into any role. Whether in indie gems or major franchises, her work is marked by radical authenticity, intellectual depth, and enduring impact.
Sources: Wikipedia, The Times, New Yorker
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